Ros, S. (2024). Investigating the linguistic properties of the sabar drum language: Role of the ATR feature. Poster presentation. 55th Annual Conference on African Linguistics, ACAL 55, May 2–4, 2024, Toronto, Canada

Gonzalez, M. (2023). Feldforschung, Analyse und das Immaterielle Kulturerbe. Am Beispiel eines Promotionsvorhabens zur Trommelmusik der Yoruba in Nigeria. Conference presentation, October 27–28. Jahrestagung des Nationalkomitees Deutschland im ICTM, Weimar, Germany.

Winter, Y. (2023). The sabar drum language of Senegal. Colloquium talk, Dartmouth College.

Gonzalez, M. (2022). A música dos tambores dùndún da Nigéria. Guest lecture, October 20. Aveiro, Portugal.

Gonzalez, M. (2022). Quando o tambor tem voz. Guest lecture, October 21. Aveiro, Portugal.

Ros, S., & Palmieri, G. (2022). Reciprocal marking in Wolof: Theoretical and typological considerations. 14th Conference of the Association for Linguistic Typology, ALT14, December 15, 2022, University of Texas at Austin.

Ros, S., & Palmieri, G. (2022). Reciprocal marking in Wolof. 55th Annual Meeting of the Societas Linguistica Europaea (SLE55), August 25, 2022, University of Bucharest. Best Conference Poster Award.

Ros, S., & Palmieri, G. (2022). Wolof reciprocals. Uiltjesdagen, April 26, 2022, Utrecht University.

Ros, S. (2022). Sabar drumming: Music or language? 16th Student Conference in Linguistics, Study Association T.W.I.S.T., April 23, 2022, Leiden University.

Ros, S., & Palmieri, G. (2022). Reciprocal marking in Wolof. 53rd Annual Conference on African Linguistics, ACAL 53, April 8, 2022, University of California, San Diego.

Oludare, O. (2022). Speech Surrogacy on African Talking Drums, Leiden University Center for Linguistics. link

Oludare, O. (2022). Yoruba Drum Language: A Surrogate Communication on the African Talking Drums, Amsterdam School of Cultural Analysis. link

Oludare, O. (2022). Oral Culture and Inclusive Society, Embassy for Inclusive Society. link

Gonzalez, M. (2021). Generative Principles of Yoruba Dùndún and Bàtá Drum Language and Music. Conference presentation, November 26–27. 15th Symposium on Cognition, Logic and Communication, Riga, Latvia.

Gonzalez, M. (2021). Die Dùndún und Bàtá Trommeln der Yoruba aus Nigeria. Zu den Schnittstellen zwischen Organologie, Spieltechnik und Linguistik in einer Trommelsprache. Conference presentation, November 12–14. Conference Instrumentenforschung 2.0, Halle an der Saale, Germany.

Gonzalez, M. (2021). Die Dùndún und Bàtá Trommeln der Yoruba aus Nigeria: Zum Sprechen, Hören, Lesen und Schreiben in einer Trommelsprache. Conference presentation, October 8–9. 28 Jahrestagung des Nationalkomitees Deutschland im ICTM, Berlin, Germany.

Ros, S. (2021). When language has a beat: Senegalese drum language. Poster presentation. Riga Symposium on the Syntax and Semantics of Music and Dance, November 26, 2021, Riga, Latvia.

Ros, S. (2021). When language has a beat: Senegalese drum language and linguistic theory. 10th World Congress of African Linguistics, WOCAL 10, June 7–12, 2021, Leiden University.

Ros, S. (2021). When language has a beat: Senegalese drum language and linguistic theory. Conference Language – Music – Gesture: Informational Crossroads, April 21, 2021, Saint Petersburg.

Gonzalez, M. and O. Oludare (2020): “Three Songs in Yoruba Language from the Brazilian Candomblé Community”, presentation at the “Black History Week” at University of Lagos, together with Ayanlere Alajede and Kangan Bamidele.

Gonzalez, M. (2020). Quando os tambores falam. A linguagem de tambores dos Iorubás da Nigéria hoje. Guest lecture, October 27. Universidade Estadual de Santa Catarina, Florianópolis, Brazil (online).

Ros, S. (2020). When language has a beat: Senegalese drum language and linguistic theory. Uiltjesdagen 2020, December 17–18, 2020, Utrecht University.

Popular talks

Gonzalez, M. (2022). Podcast interview, March 12. Oficina de Percussão Afro-Brasileira Mogbá Alexandre, Brasília, Brazil.

Ros, S. (2020). Yazyki-messendzhery (Messenger languages). Public lecture, in Russian. Science Barcamp, May 29, 2020, Moscow.